Content

Content or contents may refer to:

Computing and Internet

Content (Freudian dream analysis)

In Freudian dream analysis, content is both the manifest and latent content in a dream, that is, the dream itself as it is remembered, and the hidden meaning of the dream.

Dreams embody the involuntary occurrences within the mind throughout various stages of sleep. Throughout the early part of the twentieth century, psychologist Sigmund Freud made incredible advances in the study and analysis of dreams. Freud’s The Interpretation of Dreams (1900) used an evolutionary biological perspective to infer that these nightly visions are a product of one’s individual psyche. As the “royal road to the unconscious”, dreams allow for accessibility to parts of the mind that are inaccessible through conscious thought. According to his psychoanalytic theory, dreams—like most psychological experiences—can be understood through two distinct levels: manifest and latent. Modern research continuously proves that dreams contain fundamentally meaningful information. Therefore, appropriate interpretations of these two layers can facilitate assistance in understanding, “whether, when, and how unconscious processes are truly relevant to daily life” (Friedman & Schustack, 2012).

Content (algebra)

In algebra, the content of a polynomial with integer coefficients is the greatest common factor of its coefficients. Thus, e.g., the content of equals 2, since this is the greatest common factor of 12, 30, and -20. The definition may be extended to polynomials with coefficients in any fixed unique factorization domain.

A polynomial is primitive if it has content unity.

Gauss's lemma for polynomials states that the product of primitive polynomials (with coefficients in the same unique factorization domain) also is primitive. Equivalently, it may be expressed as stating that the content of the product of two polynomials is the product of their contents.

See also

References

Public

In public relations and communication science, publics are groups of individual people, and the public (a.k.a. the general public) is the totality of such groupings. This is a different concept to the sociological concept of the Öffentlichkeit or public sphere. The concept of a public has also been defined in political science, psychology, marketing, and advertising. In public relations and communication science, it is one of the more ambiguous concepts in the field. Although it has definitions in the theory of the field that have been formulated from the early 20th century onwards, it has suffered in more recent years from being blurred, as a result of conflation of the idea of a public with the notions of audience, market segment, community, constituency, and stakeholder.

The name "public" originates with the Latin publicus (also poplicus), from populus, and in general denotes some mass population ("the people") in association with some matter of common interest. So in political science and history, a public is a population of individuals in association with civic affairs, or affairs of office or state. In social psychology, marketing, and public relations, a public has a more situational definition.John Dewey defined (Dewey 1927) a public as a group of people who, in facing a similar problem, recognize it and organize themselves to address it. Dewey's definition of a public is thus situational: people organized about a situation. Built upon this situational definition of a public is the situational theory of publics by James E. Grunig (Grunig 1983), which talks of nonpublics (who have no problem), latent publics (who have a problem), aware publics (who recognize that they have a problem), and active publics (who do something about their problem).

Public (album)

Public is the third album (the first on a major label) by Emm Gryner, released in 1998.

The album, released on Mercury Records, was not a strong seller, and Gryner was subsequently dropped from the label after Mercury was acquired by Universal Music. She revived her own independent label, Dead Daisy Records, for her next release, Science Fair, which ironically sold significantly more copies than Public despite its more limited distribution and marketing.

In 2006, Gryner released PVT, a limited edition album featuring rerecorded versions of songs from Public. PVT was initially released only as a bonus disc with preordered copies of Gryner's 2006 album The Summer of High Hopes. It was later offered as a separate purchase.

Track listing